And there’s cover art as well which can be seen as a spring-time tribute to Zapfino.
Boo for iTunes which seems to cover less than 50% of the songs used when submitting the compilation as an iMix. And Last.fm aren’t much better.
]]>And then the question about ‘Sampler Ⅲ’ started to appear. And here it is:
Let’s see how well that mix goes down. With it’s odd combinations of unexpected cover versions (We Are Scientists doing Sigur Rós – I am tempted to add a !!!!!LOL
after that) and stuff from the internets it may have a slightly harder time finding friends.
Add to those ‘reports’ their record ‘reviews’ which also invariably seem to serve mainly to point out what extensive back catalogue and general music the writer can refer to for coming up with inadequate comparisons to other bands (although in many sad cases that back catalogue doesn’t seem to be all that comprehensive), to point out that the writer actually has read all the PR material and other press reports and jokingly mentions their key points in the first sentence before going for his own two paragraphs of fame and you’ll start thinking Zhil byl korol’ kogda-to, Pri njom blokha zhila
(damn have to find out how to write this properly in cyrillic letters…)
That isn’t to say that good articles don’t exist. And it’s great to read them. But the number of people who are able – both from their musical background, their knowledge of the subject at hand and their writing skills – to write good articles seems to be minute. So, invariably you end up getting music magazines ‘for the train journey’ or ‘for the CD’ rather than ‘for the music magazine’ (actually the free German magazine Intro tends to have nice photos as well).
And when I bought the Rolling Stone (Germany) this week, I actually mainly did it to read the report about Haldern for which they bought one of Richard’s photos (I’m afraid he’ll have to suffer from Almost Famous style remarks for this in the forseeable future…). And that article was, err, rather bad, making the weekend sound rather unpleasant, which up to that one rainstorm it wasn’t.
But then I listened to the included CD. It was from their “rare tracks” series – which can be quite annoying. And indeed many of the songs on there are a bit annoying. But somehow it’s one of the weirdest and most fun compilation CDs I got from a magazine in a long time. With a title of Another Time, Another Planet
they promise A journey into far-out sound
and we get just that. You may want to grab a copy if you can:
Go and enjoy! In a tongue-in-cheek-way, I keep thinking of the Kind of Like Spitting song as a piss-take on the blogging world. After all it contains (if out of context), the lines I’ve had some really nice people // say some really smart things to me
which pretty much seems to be all that the well-known blogging people write about these days.
It may earn you some respect in the eyes of some onlookers when you’re handling the pretty red transparent vinyl of The Postal Service’s Give Up or the cute cover of Timid Tiger’s and a Pile of Pipers, but I doubt that it does any good (in fact I still have the impression that the Give Up LP just doesn’t sound as good as its digital cousins). So in a quest for less respect, I decided to bring along some home-made compilation CDs as well. They tend to be perfect for the task – you can simply collect all the songs you might consider playing in a playlist, turn that into CDs and – after a bit of rearranging and fiddling – there you are ready to go with half a night’s music handily on a few CDs.
But of course things aren’t all that simple. At least not for people like myself who tend to make things unnecessarily complicated for themselves. That rearranging and fiddling
I mentioned above needed some extra attention. If I’m burning the CD anyway, I should try to make a CD that’s not just there for convenient song storage but that’s good to listen to as well. Thus I may have to fill in some extra tracks to get a reasonably smooth curve from the obscure to the popular back to the obscure, to hide some unknown tracks between related well known ones, to mix the new and the old, the current hype and my favourites without leaving the flow. And like that the simple exercise in playlist building turned into a slightly longer exercise in compilation disc making. Leading to an outcome that I’ve extensively enjoyed in the kitchen for the past week:
Sample most of it at iTMS and give me a nice star rating while you’re there…
]]>Notice how many songs are available at iTMS. Not bad at all. Does anyone else see the 'need' for iTunes being able to publish your own playlists with references to iTMS inserted wherever appropriate? That could be fun. And if Apple weren't just a slave to the music industry they'd do the decent thing and give you a cut of the money they earn on your playlists – or at least a free song, say.
Mac iTunes users: Fancy a quick and dirty Apple Script to turn your playlists into HTML? Make sure to have double clicked a song in the playlist before running it. Unfortunately that does not include the links to iTMS.
]]>
The CD is called It's not saying a doctor that makes me a doctor – it's the white coat that makes me a doctor. That's quite a long name for a CD. It is related to the CD's cover which features a photo of Dan ingeniously dressed up as Dr. Zoidberg, who in turn contributed the CD's name in some Futurama episode or another.
As for the tracks, I couldn't resist putting in the Futurama slant at the beginning. These are followed by a few electronic tracks because Dan likes that sort of thing. Putting in a whopping fourteen minutes of Alec Empire right at the start may be pushing it a bit too far – no risk, no fun. Then come more pop-ish tracks, including the overwhelmingly brilliant In/Out by Stereo Total and a cool semi-German version of Love Me Till Tuesday by Bowie. Then a bit of alternative stuff and some German songs to end with, having in mind that Dan is probably the most open for strange German bands of my friends in England.
Here come the tracks: